Matthew is a musician, writer and performer, best known as the keyboard-playing half of internationally-beloved musical comedy duo Frisky & Mannish, and the creator of acclaimed solo show Richard Carpenter is Close to You.
He won a Fringe First and a Musical Theatre Review Award for co-writing the hit play A Super Happy Story (About Feeling Super Sad).
He played George in the West End première of Miss Nightingale, and has acted at the National Theatre, Sadler’s Wells, Trafalgar Studios and the Barbican. His alt-drag character act Ruth Less was crowned Miss Twin Peaks 2013.
He has musically directed shows for the Young Vic, Jermyn Street Theatre and the Oxford Playhouse. He regularly works as a featured entertainer for Royal Caribbean International. He has also written a number of articles and interviews for Exeunt Magazine.
Matthew graduated from Oxford with a scholarship, a Full Blue award and a joint honours degree in Classics and English literature. He holds a diploma in piano from Trinity College London. He is an alumnus of the National Youth Music Theatre of Great Britain.
Frisky & Mannish
Stage: Edinburgh Fringe (6 sell-out shows, #2 on Festival Guide’s Top-Rated Shows, Guardian Award, Entertainmentwise Award), Shepherd’s Bush Empire, Lyric Theatre, Soho Theatre, Southbank Centre, Sydney Opera House, Melbourne Comedy Festival, Adelaide Fringe (Best Comedy Award), New Zealand Arts Festival, Adelaide Cabaret Festival, Fringe World Perth, Auckland Town Hall, Glastonbury, Latitude, Bestival, T in the Park, Leicester Square Theatre, Bloomsbury Theatre, Battersea Arts Centre, Riverside Studios, Tabard Theatre, Brighton Fringe (Editor’s Choice Award), Dublin Fringe, New York, Berlin, Singapore, Switzerland, Hong Kong, 6 UK tours
Radio: The Scott Mills Show, Perfect Christmas Single (BBC Radio 1), BBC New Comedy Award (BBC Radio 2), The Verb (BBC Radio 3), Sketchorama, Curiosity Killed the Cabaret (BBC Radio 4), The Lauren Laverne Show (BBC 6 Music)
Television: The Culture Show, Dick and Dom’s Funny Business (BBC2), Three at the Fringe (BBC3), The Hour (STV)
Hackney Empire New Act of the Year (runners-up), Chortle Award nominees, Loaded LAFTA Award nominees
“Undisputed hit of the Edinburgh Fringe” ★★★★★ (Herald), “Global phenomenon” (Times), “Effortless” ★★★★ (Observer), “Unbelievable” (Sun), “Fully blown superstars” ★★★★★ (Time Out), “Extraordinary” (NZ Herald), “Pure exhilarating brilliance from start to finish” ★★★★★ (Chortle), “Talents to watch” ★★★★ (Independent), “Riotous” (Guardian), “Superb and uncontrollable (Sunday Times), “A force of nature” ★★★★ (West Australian), “A gold-star masterclass” (Mail on Sunday), ★★★★★ Evening News, ★★★★★ Mail, ★★★★★ Adelaide Advertiser, ★★★★★ List, ★★★★★ Skinny, ★★★★★ British Theatre Guide, ★★★★★ Three Weeks, ★★★★★ Broadway Baby, ★★★★★ Gay Times, ★★★★ Evening Standard, ★★★★ Metro, ★★★★ Arts Desk, ★★★★ Fest
Richard Carpenter is Close to You
Buxton Fringe (Best New Writing Award), Edinburgh Fringe (The Stage Best Shows of the Festival, Guardian Pick of the Fringe), Adelaide Festival Centre, Butterfly Club Melbourne, Bloomsbury Theatre, UK tour
“Stroke of genius” ★★★★ (Times), “Priceless” ★★★★ (Stage), “Ingenious… one of the best shows I’ve seen” (Australian Arts Review), ★★★★★ Reviews Hub, ★★★★½ Culture Review, ★★★★ List, ★★★★ Fest Mag, ★★★★ FringeGuru, ★★★★ Broadway Baby
Marksman — Jacksons Lane (Arts Council England Award, Guardian Top Theatre Pick), Platform, Slung Low’s HUB; “Painfully funny” (This is Cabaret)
Ruth Less / House of Less Women — Glastonbury, Soho Theatre, Bethnal Green WMC (Double R Club’s Miss Twin Peaks), Pleasance, RVT, Shoreditch Town Hall, Udderbelly, London Wonderground, Theatre Delicatessen, Glory
The Artist-Critic Conflict (short film) — British Comedy Award nominee
Too Cabaret (short film) — “Hugely entertaining… some of our brightest and most talented producers and performers” (Guardian)
2012: An Olympic Vaudeville — Greenwich Theatre Emerging Artists Season; “Bursting with inventive attention to music, comedy, visual impact and narrative structure” (Time Out Critic’s Choice)
La Clique — Hippodrome (Olivier Award nominee)
The Oxford Revue — Edinburgh Fringe, Oxford Playhouse
A Super Happy Story (About Feeling Super Sad) (published by Methuen Drama)
Hull Truck, New Diorama, Greenwich Theatre, Edinburgh Fringe (Fringe First Award, Musical Theatre Review Award, KSF Award, Holden Street Award nominee, Carol Tambor Award nominee, Mental Health Award nominee), Vault Festival, 2 UK tours
“You’d be hard pushed to find a better musical at this year’s Fringe” ★★★★★ (What’s On Stage), “Beautiful, spine-tingling show” ★★★★ (List), ★★★★★ Fest Mag, ★★★★★ British Theatre Guide, ★★★★★ Three Weeks, ★★★★ Scotsman, ★★★★ Stage, ★★★★ Fest
Beans — Canal Café Theatre; “Bright-eyed and spiky” ★★★★ Stage
Madame Gingerline / Chambers of Flavour / Planet Gingerline (immersive events) — Gingerline; “Exciting and ambitious” Harper’s Bazaar
Session Squared (short film) — 48 Hour Film Project London (Audience Award)
Love is a Greater Crime than Hate (reading) — Riverside Studios
Ordinary Decent Criminals (workshop) — Pimlico Opera
Miss Nightingale — George Nowodny — Hippodrome; “Jones is a find, perfect casting as a waspish, pallidly troubled, camp and reckless George” (Libby Purves), “The standout performance of the show… wonderful acting” (Broadway World)
Charming Dick — Witch Queen — Cockpit Theatre
Royal Vauxhall — Kenny Everett — Latitude, Edinburgh Fringe, Royal Vauxhall Tavern; “His Kenny is astonishingly accurate” (Fest)
Heels of Glory — Honey — Chelsea Theatre
I’m Still Here — Voice-over — Royal Albert Hall
Wif and Wer (reading) — Paul — National Theatre
Christopher Himself (reading) — Christopher Isherwood — The Point
Failed States — Hannah and others — Latitude
A Stranger Kind (short film) — Musician — Orofena Films
Camera Lucida — Fig.3 — Barbican (Oxford Samuel Theatre Trust Award)
Real Horror Show — Adam and others — Leicester Square Theatre, Edinburgh Fringe
Dirty Laundry — Tristan/Constable — theatre503, Latitude, Edinburgh Fringe (Old Vic New Voices)
Punch — John — Canal Café Theatre, Edinburgh Fringe; “Jones is a terrific lead” (Time Out)
The Guinea Pig Club (reading) — Tony — Trafalgar Studios
The Secret Garden — Dickon — King’s Head Theatre
Director/Musical director credits:
Secrets of the Bluestockings (workshop) — Director — Tara Arts
Beauty and the Beast — Musical director — CAST (integrated British Sign Language production)
Szgrabble — Musical director — Edinburgh Fringe, Museum of Comedy, Bell Inn
Stay Another Song — Musical director — Young Vic
Screwtopia! / The Big Screw-Up — Director — Edinburgh Fringe, St. James Theatre, Adelaide Fringe
The Reunion — Musical arranger — Edinburgh Fringe (Comedy Award nominee), Soho Theatre, Melbourne Comedy Festival (Barry Award nominee)
Pieter at the Orchid / The Iron Eyelashes — Dublin Gay Theatre Festival, New Wolsey Theatre
Merman at the Jermyn — Musical director — Jermyn Street Theatre, Aldeburgh Music Festival
11.9.15 / Greenwich, Tottenham, Manor House, Stoke Newington, UK
Videographer: Rosie Jones / Makeup: Elizabeth Hedley / Choreographer: Kristina Demou /
Co-stars: Adam Lee Mroz & Marcus Reeves
the artist-critic conflict
29.1.14 / Camberwell Studios, UK
Cameraman: Duncan McLean / Stylist: Yaya Wilkinson / Sound Engineer: James Johnston
A Message for Gary Barlow
17.10.12 / Bethnal Green Working Men’s Club, UK
Director: Laura Corcoran / Cameraman: Michel Dierickx / Sound Engineer: Baz Hilton
Co-stars: La Poule Plombée, Coco Dubois, Vicky Butterfly, Joe Black, Bernie Dieter, Victor Victoria, Bunny Galore, Lady Alex,
Laurie Hagen, Benjamin Louche, Mat Ricardo, Meth, Ruby Deshabillé, Ria Lina, Mia Merode, Storm Hooper, Ruby Darling
“The pastiche musical numbers are meticulously constructed, as you might expect from the talented writer/musician, but the bittersweet comedy narrative is priceless.”
“It’s testament to Matthew Floyd Jones’s talent that the night I saw Richard Carpenter is Close to You many things apparently went wrong but you genuinely couldn’t tell… powerful, entertaining and empowering, and bloody funny.”
“[Musical comedy]’s not a novelty anymore, it’s an art form, a calling even, with its own superstars – Tim Minchin, Bo Burnham, Flight of the Conchords – and sassy newer acts (Frisky and Mannish, say) with countercultural cachet.”
“To his great credit, Gary Barlow tweeted the link to his 2.2 million Twitter followers, calling it "amazing". By midnight, views had passed 15,000. By this morning, the figure was over 23,000.”
“Cabaret is not for the has-beens but for those forging the future. No wonder it's attracting some of our brightest, most entrepreneurial and most talented producers and performers.”
“From Flight of the Conchords to French and Saunders, single-sex double acts are everywhere – but Frisky and Mannish show that more should cross the gender divide”
What's On Stage | "My Top 5 Showtunes: Matthew Floyd Jones"
Voice Mag | "Matthew Floyd Jones"
Miro Magazine | "Matthew Floyd Jones"
Three Weeks | "Richard Carpenter is Close to You"
Gay Times | "Matthew Floyd Jones"
The Guardian | ”Frisky & Mannish”
The Stage | "Matthew Floyd Jones"
Exeunt | ”Cabariot”
The Scotsman | "Matthew Jones of Frisky & Mannish"
Fest | "Frisky & Mannish"
The Independent | "Frisky & Mannish"
The Telegraph | "Frisky & Mannish"
Edinburgh Festival Guide | "Frisky & Mannish"
The Guardian | "Frisky & Mannish"
Stated | "Frisky & Mannish"
British Comedy Guide | "Frisky & Mannish"